I Am Legend
Chris
Sometimes, when a film is based on literary source material, like a novel or short story, it is enough to get the broad strokes right; to get the soul of the story correct at the exclusion of minor details. Often, a filmmaker doesn’t have the time or budget to fully realize a complete interpretation of a novel. Other times the source material is simply too big or complex to fit into the narrow frame of a two-hour movie. In these cases a skilled writer/director/producer team can extract the essence of the literary work and translate it to film in a way that is satisfactory and fulfilling to both fans of the original work and moviegoers. Minor details may be left out, but the core - the heart of the work - is maintained.
This is not the case with I Am Legend, the new film from director Francis Lawrence.
I Am Legend is about the life of Robert Neville, the sole survivor of a virus outbreak that has left everyone on Earth either dead or transformed into creatures akin to vampires. By day, Neville roams the empty streets of Manhattan hunting animals for food, pumping gas (to run generators), picking vegetables in a makeshift garden, broadcasting radio messages to anyone who will listen, and trying to find a cure for the virus in a very fancy laboratory that he has setup in the basement of his apartment. At night, he barricades every window, door and potential opening and sleeps in a bathtub with his dog and automatic rifle clutched tightly, the sounds of the howling vampires echoing in the streets.
If this setup sounds familiar to the 1954 Richard Matheson novel that it is based upon, that is because it is. But the setup is where the similarities end. There is a point in the movie where it makes a significant departure from the novel.
I did not read the Matheson’s novel prior to seeing the movie. But I did read the condensed synopsis of the story on the Wikipedia. The Wiki reveals many details of the story that I will not spoil here. However, it does offer one very interesting piece of information about the title of the novel, which in itself reveals much about the primary story:
He (Robert Neville) finally realizes why the new society of the living infected regards him as a monster: just as vampires were regarded as legendary monsters that preyed on the vulnerable humans in their beds, Neville has become a mythical figure that kills both vampires and the infected living while they are sleeping. He becomes a legend as the vampires once were, hence the title.
Unfortunately, while the film retains the title I Am Legend, it does not retain any of the brush strokes from the source material. The film comes to its conclusion via a much different path, and it is not nearly as superior of a story arc as the one Matheson created.
That is not to say that I Am Legend is a bad film; it is not. But it is not what it could have been if only the creators would have stayed true to the heart of the novel. In shaping this version of I Am Legend for the screen, the creators have twisted the meaning of the very words of the title so that by the conclusion of the film they mean something entirely different than what they meant to Matheson’s novel.
Despite the severe deviation from the novel, the film still works on its own. Will Smith does an admirable job in the role of Robert Neville (although Christian Bale might have been a better choice) given that he is asked to carry the film for at least the first hour with only himself, a dog, and the barren city streets of Manhattan. Director Francis Lawrence steals a page from Robert Zemeckis (Cast Away) during this time by significantly limiting the soundtrack, which helps create a very isolated atmosphere.
There are moments during the film where we really feel like we understand Neville and his state of mind. The isolation has affected his sanity, yet we know he’s smart enough to realize this himself, and still he can’t seem to help but talk to the mannequins in the video store he frequents.
If there’s a misstep here (other than deviating from the novel in a significant way) it is the use of CGI to create the vampires. They look fake. The clearly artificial villains hinder the film; they take something that feels very real and terrifying and pull us back a bit to remind us that what we’re watching isn’t real at all, which is disappointing considering that some recent films (The Descent, 28 Days Later) were much better done without all the CGI monsters.
I Am Legend feels like a film that should be better than it is. It is the third time that Matheson’s novel has been made into a movie. It is by far the best film version of his story, but a far cry from being the “charm”.
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